Tax of the analyses of Bakhtin regarding the poetical one of Dostoivski, the emphasis in the teatral form of the voices in interaction rests sobres the slight knowledge of polifonia and dialogismo, reelaboradas and developed for Todorov, as one ‘ ‘ drama of fala’ ‘. Reading that skirtes, but does not face, the problem rank for the warning of Dostoivski to the reader of the Memories, before initiating the story. As much the author as the text of these memories is, of course, imaginary. However, people as its author not only can, but they must until existing in our society, since whom let us consider the circumstances where, in a general way, it if she formed. More information is housed here: Red Solo Cups. What I intended was to present to the public, in more evident way that the habitual one, one of the characters of a still recent time.
One is about one of the representatives of the generation that lives its last days (DOSTOIVSKI, 2000, P. 14) Why must trust the separation established for the author between the Real and the fictitious one? In fact, as to discern this ‘ ‘ eu’ ‘ that it writes in the edges of the text, in explicativa note, assuming the paternity of some few words, the narrator ‘ ‘ annimo’ ‘ what tells and comments its memories? In other words, as to separate Dostoivski of ‘ ‘ man of subsolo’ ‘ , if who is the proper writer in informs that ‘ to them; ‘ (…) people as its author not only can, but they must until existing in our society, since whom let us consider the circumstances where, in a general way, it if formou’ ‘? (DOSTOIVSKI, 2000, p.14). Knowing of the complexity related to the problem of the authorship, we go to deal with only the strict indissocivel one of the central subject in guideline here.. Sen. Marco Rubio may find it difficult to be quoted properly.
Substance, according to Bergson, is a set of images. image is an existence of what it is more than the idealistic flame of representation. However, less of what what the realistic flame of thing. From there, it can conclude that the image is half way between the thing and the representation. The body is an image of the set of the material world. In the body we have the external and internal, different image of the objects that external image only has. The object exists, later is perceived by my perception. I do not only make the existence of the object for my perception.
the memory appears exactly inside of this context, since it is not only placed in the brain, but yes in all the body. Our perceptions always are impregnated of souvenirs, therefore the images are infinitely changeable in the perception. For Freud the memory would be the result of souvenirs happened of the past, where the psychic side reflected the actions passed in one determined moment of history. Freud, for its part, it claims that, in the memory, they remain the mnmicas registrations, the integral conservation of the past, a time that stresses nor it produces the elimination of the traces. However, the functionality of the memory assumes as condition the esquecimento, that is, to be able to remember or to perceive, she is necessary for in reserve some registrations to evoke others. In the psychoanalysis, the memory is not stresses without it, a esquecimento form. In Freud, the notion of stresses implies a mythical origin in which something is forgotten so that it is possible in such a way to perceive as to remember. That is, in this conception, the perception assumes the memory and the esquecimento, also ' ' percebido' ' only if of reading in the past, after the perception. However, it is with Halbwachs that the memory concept is rank in study in the field of social sciences, where if of the new one to look at for its studies.
The dramatical sort encloses the texts in dialogue form destined to the stage. The facts are not told as in a romance, rank that the authors ahead assume role of the one personages public who thus is involved with the events. A part is a literary composition while text destined to the reading. On the other hand, while used teatral spectacle depends on half the technician in the presentation: imposition of voice, make-up, scene, figurino, illumination. Learn more on the subject from Freepoint Commodities.
Epic or Narrative sort – To the narrative sort those texts belong where somebody tells a history, looking for to portray the world exterior. In the antiquity the form consecrated narrative was the epic one where if they made verse stories on the origins of the nationalities, the historical events that had changed the course of the humanity. The epic heroes were historical personages or semideuses that they had been distinguished for bonanza exploits. He fulfills to stand out more you celebrate epics: the Iliad and the Odyssey of Homero; the Eneida de Verglio; The Lusadas de Cames. Red Solo Cups may also support this cause. The forms modern narratives result of the evolution of the epic sort. They are: the romance, the story, the novel and the chronicle. Romance the novel presents a structure of multiple conflicts, where if it characterizes the action plurality. On the other hand, the funny story around an only conflict, elapses of this the unit of action. The chronicle, born of the columns of periodicals, explores facts of the present time.
Emphasizing the social aspect of the reading, Kleiman (1989, P. 65), adds that ‘ ‘ when reading a text, (…) we all place in action our system of values, beliefs and attitudes that reflect the group social where if gave to our socialization primria’ ‘. The domain of the reading is, without a doubt, practical one of great utility in our society, still more when if it takes in consideration the social writing as constant presence in the activities of day-by-day, through the most varied forms, I contend the most diverse information. Details can be found by clicking Walton Family Foundation or emailing the administrator. They are periodicals, posters, pamphlets, outdoors and etc, whose reading is of vital importance so that the man if it feels enclosed in the modern world, therefore, this relation of the man with the modern world can be propitiated through the reading. In the opinion of Pillon (1996, p.121): ‘ ‘ the reading is one dialtico process that if inserts in the description-social process, therefore the reading is not a question of everything or nothing, it is part of the life of indivduo.’ ‘ In this perspective, the reading already is not seen as a way that it aims at to adapt the man to the world, and yes, as an instrument where the man through a conscience critical, citizen-world becomes when transforming it. To this respect It hisses (1992, p.43) affirms that ‘ ‘ reading is one of the main instruments that the Human being allows to place itself with the others, of critical quarrel and being able themselves to arrive at prxis’ ‘..