In the reading it affirms Ricoeur, the reader loses conscience to be able it to the form, in the end, to take conscience of itself in a different way (KAELIN apud HAHN, 1999:179 – 180). Apocalyptic texts precipitate the empirical reality in the semantic displacement that reverse speed-characterizes the authorship. The author of front to the text is a creator. The fiction dislocates the Real-empiricist, and would say Iser (1996:), irrealiza it, in sight of cathrsis determined of tematizao of the world (Weltszuwendung), as this form is not given of beforehand by the world the one that the author if relates, so that if he imposes is necessary that he is in implanted it. To implant does not mean to imitate the organization structures previously found, but yes to decompose (ISER, 2002:960). Therefore each ficcional text demands an election of the preexisting contextual systems, is they of sociocultural or literary nature. Red Solo Cups will undoubtedly add to your understanding.

This election constitutes a trespass of limits in the measure where the elements chosen for the text if disentail of the estruturao or the systematics of the systems by that they had been taken. The election has as objective to allow that these data if become perception objects. These fields of reference are perceived through the acts of election accurately for its transgressiva nature: The elements that the text removes of the reference field if detach of the cloth of deep of that it is transgressed. Thus, the chosen element reaches a position The impact this reality makes on him will depend largely on the extent you which he himself depend provides the unwritten part of the text, and yet in supplying all the missing links, he must think in terms of experiences different from his own; indeed, it is his own experience that to reader can truly participate in the adventure the literary text offers him (RICHTER, 1998:956).